The Great Northfield Minnesota Raid (1971)

  Dir: Philip Kaufman - Cast: Cliff Robertson (Cole Younger), Robert Duvall (Jesse James), Luke Askew (Jim Younger), John Pearce (Frank James), R. G. Armstrong,  Matt Clark, Donald Moffat, Dana Elcar, Wayne Sutherlin, Elisha Cook, Jack Manning

The off-told story of the raid - on September 7, 1876 - of the bank of Northfield Minnesota, the final act in the history of the infamous James-Younger gang. But this is not just another movie about the rise and fall of the gang. It opens with a narration which could be read as a valid excuse for their violent raids:

 "Everywhere men from the railroads  were driving poor, defenceless families from their homes."

The James-Younger gang had their origins in a group of Bushwackers and made their fame in a Post-war society that was still divided; some people (mainly farmers who thought the banks and railroads were a threat to their way of life) saw them as 18th Century Robin Hoods. In the film one more reference is made to the famous Robin from Sherwood, when the men are making fun about thieves who rob the rich to help the poor. By then it is clear that this bunch is no charitable society: they have some sympathy for the good and simple folk, but they're after personal gain and their behavior is all but chivalresque.

Jesse James (Robert Duvall), the leader of the gang, is presented as a homicidal maniac, impulsive and nervous, a Southerner who's still fighting his own Civil War. Cole Younger (Cliff Robertson) is a more introspective type, a calculating strategist and part-time philosopher, thinking about leaving criminal life. Traveling North, to Minnesota, both are  confronted with a world they don't know, symbolized by baseball, steam engines and Scandinavian accents that are alien to their ears; while Jesse holds on to the things he knows best (emptying his guns to unlock a vault with a time-lock), Cole tries to learn and adapt himself to modernity, but the baseball scene neatly illustrates that the shift is to brusque for a man of action: to put an end to a game that looks completely chaotic to him, he simply shoots the ball to pieces in mid-air.

Great attention has been given to period detail, resulting in an often stunningly beautiful movie and an incredible recreation of the Northfield main street anno 1876 - not in Northfield, but in Jacksonville, Oregon! (1). The casting is impressive, but I had doubts about Duvall's mannered interpretation of Jesse James; he shows all the characteristics (and tics) we have become familiar with, but in a less disciplined way, it all looks a little strained and unnatural here. The actual raid is less spectacular than Walter Hill's excessive, but elegant bloodletting in The Long Riders, but has a rough, authentic look, as if were watching some newsreels showing the incident. It's also closer to what really happened on that day in the sense that the members of the Younger clan weren't riddled with bullets in the streets of Northfield by the local citizens, but afterwards, by one of the several posses looking for them. However they were not shot while taking shelter in a brothel, but surrounded by the posse in a swamp near the town of Madelia. 

The Great Northfield Minnesota Raid was only moderately successful at the box-office but it was popular among critics. Movies like Bonnie & Clyde (clearly a major influence) and Butch Cassidy and the Sundance Kid had introduced this quirky style, mixing comedy with gritty violence and social comment, and many film makers had adopted it, including Kaufman. It feels a bit dated today and the quirkiness occasionally gets in the way of the narrative. Some of the sequences - notably this baseball game - tend to drag.

The movie reflects the mood of the Vietnam era with its anti-capitalist and anti-corporate feelings; the gang members are outsiders whose war (and other) experiences make it hard for them to conform to a new era of unbridled materialism. They're hard-boiled criminals, but not more ruthless than the unscrupulous Pinkerton agents chasing them, or even the citizens of Northfield, who seem to enjoy the carnage. In this moral waste land, Kaufman clearly sides with the outlaws: The movie ends with a bizarre ritual of a heavily wounded Cole Younger shown, in ecce home style, in the streets of Northfield, his arms wide, as if impersonating a tortured Jesus. But this Jesus is cheered by the crowd.

Related text: An article on Arthur Penn's BONNIE & CLYDE will be published on Furious Cinema

(1) The film was mostly shot in Oregon and the landscape doesn't really correspond with Northfield  and its immediate surroundings, see: 


* Civil War St. Louis, James & Youngers (website): 
* Philip French, Westerns, p. 170-171