The Guns of Fort Petticoat
The Guns of Fort Petticoat (1957)
The first
movie production by Murphy-Brown Pictures, a partnership Audie Murphy had
formed with Harry Joe Brown. It remained their only movie because of personal
differences between the two partners. The Guns of Fort Petticoat was panned by
contemporary critics who thought this outlandish story about a petticoat army
fighting off an Indian attack didn't combine well with the historic background
of the plight of the red man, but the movie seems to have withstood the test of
time pretty well and today many think it's one of Murphy's more enjoyable
efforts
The story
is set in full Civil War time. Audie Murphy is Lt. Frank Hewitt, a guy from
Dixie in Yankee service. When some Cheyenne braves leave their territory,
Hewitt's commander, the racist Colonel John Chivington thinks it's a good idea to punish them
by attacking their virtually unprotected village. The result is an infamy known
to history as the Sand Creek Massacre. Hewitt knows the Indians will seek
revenge by attacking innocent homesteaders and with most men departed to fight
in the Civil War, only women and children are left to defend the homesteads. He
deserts to warn the women but is first treated by them as a 'blue belly
traitor'. Things change when he shows them the dead body of a woman tortured
and murdered by marauding Indians. Hewitt and the women entrench themselves in
an abandoned mission post to fight of the imminent Indian attack ...
AudieMurphy's real-life experiences (he was one of the most decorated combat soldiers of WWII) always seemed to lend credibility to his
screen persona. He is quite convincing as the experienced soldier
training the women in combat techniques, slowly turning the colorful troupe
into an efficient fighting unit. Some clichés are
tackled (several women and one child are killed during the attack), others
remain intact; there's room for romance and comedy and yes, some of the comedy
feels a little out of place, notably a scene of Murphy spanking the hot-headed Kathryn Grant. But let's not forget that many contemporary
westerns (including those by the likes of Ford or Hawks) offered vaudeville-like interruptions of a serious narrative.
Director Marshall was no Ford or Hawks, but he had a long career in both the western and comedy genre and overall the serio-comic mix works quite well. Only the coda, in which a court-martialed Hewitt is discharged thanks to the intervention of the women (and his commanding officer is charged instead), rings untrue. There's nothing wrong with using historic events as a background of a fictional story, but John Chivington was forced to resign after a thorough investigation by the Congress, and to suggest that his fate was sealed during an improvised military court by a group of women who stood up for the man who had taught them how to fight, is sheer nonsense.
Director: George Marshall - Cast: Audie Murphy (Lt. Frank Hewitt), Kathryn Grant (Anne Martin), Hope Emerson (Hannah Lacey), Jeanette Nolan (Cora Melavan), Sean McClory (Emmett Kettle), Ainslie Pryor (Col. Chivington), Patricia Livingston (Stella Leatham)
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