The Wonderful Country (1959)
In this brooding western, based on a novel by Texan author Tom Lea (*1), Robert
Mitchum stars as an American called Martin Brady who once had to flee his home
country after he had killed the murderers of his father. He is living in
Mexico, making a living as a gun runner for a couple of local
tyrants. But then one day, on a business trip north of the border, he breaks a leg and is forced to stay in his home country for a while ...
He is held
for a Mexican first, but when people find out he's actually an American,
everybody's interested in hiring him. The US Army and the Texas Rangers are
planning a mission against rebellious Apaches who have crossed the Mexican
border and think Brady's familiarity with the local geography and language
might be useful to them. Brady refuses and things are further complicated when he
gets romantically involved with the wife of an army captain.
Some have
compared this movie to John Ford's The Searchers. To Brady Texas, the country
he was forced to leave, is a sort of paradise, a promised land, but it's also a
paradise that no longer exists: time has passed, things have changed, and when
he forced to leave the country again (after shooting a man), he knows he will
forever be wandering between the winds and the two countries.
Watching
the movie today, it's hard to believe that Mitchum wasn't the first choice for
the role. He took his chance (he would even co-produce) after Henry Fonda and
Gregory Peck had shown no interest (*2). Mitchum also brought in director
Parrish. The movie was received well by some critics, but others didn't like
Michum's performance and thought his accent was horrendous. Today it's held in
much higher praise; many think The Wonderful Country features one of Mitchum's
most underrated performances, and it's also considered to be Parrish's best
western (to large audiences he is probably best known for the far more violent,
but erratic A Town called Bastard).
This is a
brooding, melancholic, beautifully shot western and both Leone and Peckinpah
seem to have studied it. An yet there's something missing. Both the opening
scene (Mitchum breaking his leg) and the ending (Mitchum walking back to Texas
after he was forced to kill his favorite horse) are very well-handled, but the
bulk of the movie is awkwardly paced and the intricate script starts working against the movie in the second
half. The romantic subplot (involving Julie London) doesn't really help either.
When
released in Cuba, the film caused some controversy because two of the Mexican
bandits were called "Castro"!
Notes:
(1) For a
note on the novel and the author, see Ron Scheer's website Buddies in the
Saddle: Tom Lea, the Wonderful Country (1952)
(2) Roger
Fristoe, The Wonderful Country, on: Turner Classic movies.
I've been wanting to see this film ever since I read the book. I like Mitchum in western roles. Have to put in an alert at TCM for the next time it comes up.
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